SHARE
COPY LINK

IMMIGRATION

Amnesty International slams Spain’s ‘double standards’ on immigration

Human rights NGO Amnesty International has criticised Spain’s “double standards” vis-a-vis refugees, highlighting the contrast between its open arms policy to Ukrainian refugees and the “brutality” with which it treats African migrants in Ceuta and Melilla.

Amnesty International slams Spain's 'double standards' on immigration
Spanish soldiers stand guard as migrants wait on rocks off the shore of the Spanish enclave of Ceuta, in May 2021. Amnesty International’s 2021/2022 report has criticised the Spanish government's treatment of African migrations compared to its open arms policy for Ukrainian or Afghans. (Photo by Antonio Sempere / AFP)

Amnesty International (AI) has criticised Spain for using “double standards” when it comes to the situation of refugees. 

The Spanish branch of the human rights group, which made the comments coinciding with the release of AI’s global 2021/2022 report, argues that on the one hand the Spanish government is making efforts to provide a quick response to those escaping conflict in Ukraine or Afghanistan but by contrast uses excessive violence or persecution against African migrants crossing into Spain. 

“We can’t one day welcome with open arms those who escape war, and the next day beat and use extreme brutality against those who jump the fence in Melilla,” said the director of Amnesty International Spain Esteban Beltrán.

“It’s incoherent to demand a coordinated and open response for refugees in the European Union, and then carry out quick returns, even of minors, and justify everything based immigration control. 

READ ALSO: Why are Ceuta and Melilla Spanish?

“Spanish authorities must decide whether they want to comply with international law at their borders, or if they’re only going to do so when it is of interest to them,” Beltrán concluded.

Amnesty International’s 2021/2022 report explains in its section on Spain how after the Taliban took power in Afghanistan in 2021, the Spanish government evacuated 2,026 people and for the first time allowed people of Afghan nationality to apply for asylum in the Embassy of Spain in Pakistan.

As a further example of Spain’s double standards, the report points out the “overcrowding and precariousness” in migrant centres in the Canary Islands, referring to the poor conditions as “avoidable” and down to “poor management”.

Asylum-seekers in Spain have allegedly not been given access to adequate information about their rights, and Spanish authorities have not guaranteed their timely registration or the processing of their applications.

The human rights group with its headquarters in London also accuses Spain of “illegally and collectively” returning migrants to Morocco, including unaccompanied migrants.

READ ALSO: What happens to the thousands of undocumented migrants after they arrive in Spain?

In 2021, a total of 22,200 people arrived by sea to the Atlantic archipelago and at least 955 of them, including approximately 80 minors, drowned before they could reach Spanish shores.

The report, which analyses the human rights situation in 154 countries, also speaks negatively of the impunity displayed at Spanish nursing homes during the Covid-19 pandemic, when hundreds of infected elderly people were not properly cared for or were left to die alone.

Amnesty International also stresses there’s been “another pandemic” in Spain in the sense of the lack of adequate access to healthcare for people with chronic diseases, the elderly, and people with mental health problems whilst Covid-19 has dominated health personnel’s workload.

Freedom of expression and the right to protest also continues to be threatened in the Spanish state according to the annual report, citing examples such as the absence of reform of the so-called gag law and the application of Spain’s Criminal Code in cases such as the conviction and imprisonment of rapper Pablo Hasel.

The “excessive” use of force by Spanish law enforcement officers in order to break up demonstrations, such as the inappropriate use of foam balls, continues to be denounced by Amnesty International.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

UKRAINE

Rapping, breakdancing Ukrainians win Eurovision in musical morale boost

Ukraine won the Eurovision Song Contest Sunday with an infectious hip-hop folk melody, boosting spirits in the embattled nation fighting off a Russian invasion that has killed thousands and displaced millions of people.

Rapping, breakdancing Ukrainians win Eurovision in musical morale boost

Riding a huge wave of public support, Kalush Orchestra beat 24 competitors in the finale of the world’s biggest live music event with “Stefania”, a rap lullaby combining Ukrainian folk and modern hip-hop rhythms.

“Please help Ukraine and Mariupol! Help Azovstal right now,” implored frontman Oleh Psiuk in English from the stage after their performance was met by a cheering audience.

In the Ukrainian capital Kyiv, the triumph was met with smiles and visible relief.

“It’s a small ray of happiness. It’s very important now for us,” said Iryna Vorobey, a 35-year-old businesswoman, adding that the support from Europe was “incredible”.

Following the win, Psiuk — whose bubblegum-pink bucket hat has made him instantly recognisable — thanked everyone who voted for his country in the contest, which is watched by millions of viewers.

“The victory is very important for Ukraine, especially this year. Thank you from the bottom of our hearts. Glory to Ukraine,” Psiuk told journalists.

Music conquers Europe

The win provided a much-needed morale boost for the embattled nation in its third month of battling much-larger Russian forces.

Mahmood & BLANCO  performing for Italy at Eurovision 2022

Mahmood & BLANCO perform on behalf of Italy during the final of the Eurovision Song contest 2022 in Turin, Italy. (Photo by Marco BERTORELLO / AFP)

“Our courage impresses the world, our music conquers Europe!” he wrote on Facebook.

“This win is so very good for our mood,” Andriy Nemkovych, a 28 year-old project manager, told AFP in Kyiv.

The victory drew praise in unlikely corners, as the deputy chief of the NATO military alliance said it showed just how much public support ex-Soviet Ukraine has in fighting off Moscow.

“I would like to congratulate Ukraine for winning the Eurovision contest,” Mircea Geoana said as he arrived in Berlin for talks that will tackle the alliance’s expansion in the wake of the Kremlin’s war.

“And this is not something I’m making in a light way because we have seen yesterday the immense public support all over Europe and Australia for the bravery of” Ukraine, Geoana said.

British Prime Minister Boris Johnson called the win “a clear reflection of not just your talent, but of the unwavering support for your fight for freedom”.

And European Council President Charles Michel said he hoped next year’s contest “can be hosted in Kyiv in a free and united Ukraine”.

‘Ready to fight’
Despite the joyous theatrics that are a hallmark of the song contest, the war in Ukraine hung heavily over the festivities this year.
 
The European Broadcasting Union, which organises the event, banned Russia on February 25, the day after Moscow invaded its neighbour.
 
“Stefania”, written by Psiuk as a tribute to his mother before the war, mixes traditional Ukrainian folk music played on flute-like instruments with an invigorating hip-hop beat. The band donned richly embroidered ethnic garb
to perform their act.
 
 
Nostalgic lyrics such as “I’ll always find my way home even if all the roads are destroyed” resonated all the more as millions of Ukrainians have been displaced by war.

Kalush Orchestra received special authorisation from Ukraine’s government to attend Eurovision, since men of fighting age are prohibited from leaving the country, but that permit expires in two days.

Psiuk said he was not sure what awaited the band as war rages back home.

“Like every Ukrainian, we are ready to fight as much as we can and go until the end.

Britain’s ‘Space Man’

Ukraine beat a host of over-the-top acts at the kitschy, quirky annual musical event, including Norway’s Subwoolfer, who sang about bananas while dressed in yellow wolf masks, and Serbia’s Konstrakta, who questioned national healthcare while meticulously scrubbing her hands onstage.

Coming in second place was Britain with Sam Ryder’s “Space Man” and its stratospheric notes, followed by Spain with the reggaeton “SloMo” from Chanel.

After a quarter-century of being shut out from the top spot, Britain had hoped to have a winner in “Space Man” and its high notes belted by the affable, long-haired Ryder.

Britain had been ahead after votes were counted from the national juries, but a jaw-dropping 439 points awarded to Ukraine from the public pushed it to the top spot.

Eurovision’s winner is chosen by a cast of music industry professionals — and members of the public — from each country, with votes for one’s home nation not allowed.

Eurovision is a hit among fans not only for the music, but for the looks on display and this year was no exception. Lithuania’s Monika Liu generated as much social media buzz for her bowl cut hairdo as her sensual and elegant
“Sentimentai”.

Other offerings included Greece’s “Die Together” by Amanda Georgiadi Tenfjord and “Brividi” (Shivers), a duet from Italy’s Mahmood and Blanco.

Italy had hoped the gay-themed love song would bring it a second consecutive Eurovision win after last year’s “Zitti e Buoni” (Shut up and Behave) from high-octane glam rockers Maneskin.

SHOW COMMENTS