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Shakira pays €20 million to settle Spanish tax debt

Superstar Shakira has handed over more than €20 million ($24.6 million) to tax authorities in Spain, a report said Tuesday, accused of not paying taxes despite being a resident between 2011 and 2014.

Shakira pays €20 million to settle Spanish tax debt

Catalan daily El Periodico reported that the Colombian award-winning singer had paid the money “to settle part of the debt claimed by Spain's tax authorities”, corresponding to what she allegedly owes for 2011.   

The fiscal authorities filed an official complaint to prosecutors in Barcelona accusing her of not paying taxes, sparking an investigation, Jose Miguel Company, spokesman for the prosecutors' office, told AFP.   

The official complaint only covers the period from 2012 to 2014, however, as the time frame to prosecute alleged tax offences in 2011 has expired.    

READ: Waka Waka: Shakira faces tax probe in Spain

 

Happy 2018!

A post shared by Gerard Piqué (@3gerardpique) on Dec 31, 2017 at 3:19pm PST

 

In a relationship since 2011 with FC Barcelona centre-back Gerard Pique, with whom she has two sons, the 41-year-old transferred her official residency to the Catalan city in 2015.

Until then, it was in the Bahamas.   

But “that doesn't match reality, with the children in school in Barcelona and her partner here,” Company said, adding that prosecutors will decide in June whether to pursue the case.

Shakira's representatives, meanwhile, say that until 2014 she earned most of her money in international tours and didn't live more than six months a year in Spain — a prerequisite to be an official tax-paying resident in the country.

With her mix of Latin and Arabic rhythms and rock influences, Shakira is one of the biggest acts from Latin America, scoring major global hits with songs such as “Hips Don't Lie” and “Whenever, Wherever.”    

She has sold more than 60 million records.

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MUSIC

Meet the Spanish rapper bringing flamenco and bossa nova into hip-hop

Spanish rapper C. Tangana was taking a big risk when he started mixing old-fashioned influences like flamenco and bossa nova into his hip-hop -- but it's this eclectic sound that has turned him into a phenomenon on both sides of the Atlantic.

Meet the Spanish rapper bringing flamenco and bossa nova into hip-hop
Spanish rapper Anton Alvarez known as 'C. Tangana' poses in Madrid on April 29, 2021. Photo: Javier Soriano/AFP

The 30-year-old has emerged as one of the world’s biggest Spanish-language stars since his third album “El Madrileno” — the Madrilenian — came out in February. That ranks him alongside his superstar ex-girlfriend Rosalia, the Grammy-winning Catalan singer with whom he has co-written several hits.

C. Tangana, whose real name is Anton Alvarez Alfaro, has come a long way since a decade ago when he became known as a voice of disillusioned Spanish youth in the wake of the financial crisis.These days his rap is infused with everything from reggaeton and rumba to deeply traditional styles from Spain and Latin America, with a voice often digitised by autotune.

“It’s incredible that just when my music is at its most popular is exactly when I’m doing something a bit more complex, more experimental and less
trendy,” he told AFP in an interview.

And he is unashamed to be appealing to a wider audience than previously: his dream is now to make music “that a young person can enjoy in a club or someone older can enjoy at home while cooking”.

‘People are tired’

The rapper, who sports a severe semi-shaved haircut and a pencil moustache, has worked with Spanish flamenco greats including Nino De Elche, Antonio Carmona, Kiko Veneno, La Hungara and the Gipsy Kings.

In April he brought some of them together for a performance on NPR’s popular “Tiny Desk Concert” series, which has already drawn nearly six million
views on YouTube.

Shifting away from trap, one of rap’s most popular sub-genres, and venturing into a more traditional repertoire was a dangerous move — especially for someone with a young fanbase to whom rumba, bossa nova and bolero sound old-fashioned.

“I think people are tired. They’ve had enough of the predominant aesthetic values that have previously defined pop and urban music,” he said.

Parts of his latest album were recorded in Latin America with Cuban guitarist Eliades Ochoa of Buena Vista Social Club, Uruguayan
singer-songwriter Jorge Drexler, Mexican folk artist Ed Maverick and Brazil’s Toquinho, one of the bossa nova greats.

“What struck me most everywhere I went was the sense of tradition and the way people experienced the most popular music, and I don’t mean pop,” he said.

A new direction

C. Tangana started out in 2006 rapping under the name Crema. When the global economic crisis swept Spain a few years later, hard-hitting trap was
the perfect way to voice the angst of his generation. But after more than a decade of rapping, things changed.

“When I was heading for my 30s, I hit this crisis, I was a bit fed up with what I was doing… and decided to give voice to all these influences that I
never dared express as a rapper,” he said.

The shift began in 2018 with “Un veneno” (“A poison”) which came out a year after his big hit “Mala mujer” (“Bad woman”).

And there was a return to the sounds of his childhood when he used to listen to Spanish folk songs at home, raised by a mother who worked in
education and a journalist father who liked to play the guitar. The Latin American influences came later.

“It started when I was a teenager with reggaeton and with bachata which were played in the first clubs I went to, which were mostly Latin,” he said.

Studying philosophy at the time, he wrote his first raps between stints working in call centres or fast-food restaurants.

As to what comes next, he doesn’t know. But one thing he hopes to do is collaborate with Natalia Lafourcade, a Mexican singer who dabbles in folk, rock and pop — another jack of all musical trades.

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